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فرهنگ کالایی
In their book Qlobal Culture Industry: The Mediation of Things, Scott Lash and Celia Lury explain how commodity culture as transformed in the twenty-first century.1 Lash and Lury propose that culture now operates through things, rather than through symbols and representations, texts and images.
Thomas references the original ad campaign to make a biting commentary on the relationship of racial identity and disenfranchised lives to commercial commodity culture and to violence.
During this time, the counterculture also eschewed notions of material success and commodity culture.
Warhol's replication of the icon refers to the overproduction of goods in a commodity culture, in which repetition prevails.
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